Amazing just how tiring standing in front of a mic laying down tracks can be. No, it’s not an album yet, but it will be soon. Blood Red Roses is the title track, and it kind of encapsulates the album. You know who your mother was, and your grandmother, but how about your great-grandmother? How about female ancestors from farther back? Why is this? Why does the line of blood go through the father alone? These are things we don’t often think about, let alone talk about, and when we do, the conversations usually generate more heat and noise than light.
This song takes the long view. It goes all the way from the Paleolithic to the present. It just struck me one day that the earliest sculptures of humans yet found are of women–and they are faceless. When we finally saw our planet–the organism we are all part of, it, too, is of course faceless. We will never truly know what those first artists were thinking, but for me, living at the time when we first saw our planet as a whole, those two images are linked. Were the carvers thinking of deity? Of all women? Or something else entirely? Those images are all found in Eurasia, another fact the significance of which we don’t know and may never know. The mystery is a gift in and of itself. We are not all-knowing, and right now, I think we can use a reminder of that fact. It might make us think before we act, and see what we can learn in the process. That’s what humans do, after all, when we’re at our best.
This song started life as a sea chantey, also called Blood Red Roses.
The next track on the album is also a pan-European story, that comes to us by way of Wales. It’s the tale of Blodeuedd, and I posted it here.
Next time: Moving forward in time our next stop is the ballad of Tam Lin.